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Vienna ensemble pro clicks and pops11/7/2022 ![]() ![]() To create the most naturalistic stereophonic effect. Recording using the two sources – or at least stereo of a kind.Ī normal stereo recording, at it's most simple level, isīest made using two microphones carefully placed and directed in order Means it is, in theory at least, possible to reconstruct a stereophonic Second microphone, positioned separately to the NBC's microphone. This fact, however, is somewhat secondary to the mostĬrucial, vital point about the second recording: it was made using a These past 59 years, and arrived in better shape than the unedited Made inside the hall from a second microphone it has been preserved The only recording left from the performance. The error is a simple one to make – you see, the NBC tape was not Original release was highly acclaimed and won the Grand Prix du DisqueĪs well as the Preise der Deutschen Schallplatten Kritik.” Problematic and the end result included the original NBC tape relayedįrom Carnegie Hall with some fillings in from the rehearsal takes. Recording was left from the performance in 1951. Lp release of this recording, caused by the fact that only NBC's radio “Seven hundred hours of editing went into the original In the notes which accompany a current reissue of this Requiem recording, as displayed on one eminent retailer's website, there is an error of which perhaps the writer was unaware: Nature of this stereo recording means that we cannot perform the sameĮdits, and thus we present the unexpurgated live concert as performed. Which didn't come up to Toscanini's high standards of approval. In from rehearsals to replace some sections of the live performance The official mono LP release of this concert included sections spliced Toscanini's award-winning concert in stereo for the first timeĪn astonishing milestone in 21st century digital remastering ![]()
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